How Kubrick Directs Battles - 1317 Words

How Kubrick Directs Battles Paths of Glory focuses on the ego and politics of war, however it’s battle scene is important in framing the last half of the film. Kubrick used his skills in photography and directing to create a different take on the battle scene. The scene is shot in a starker and more meticulous manner than what is typically depicted. Kubrick needed to set up a tone in this scene to allow the viewer to be more engaged with the dark topics the film brings up. By breaking apart the choices Kubrick made for each element in the battle and how it relates to the rest of the film as well as Kubrick’s other films, the ideas that are trying to convey can be seen. The attack on the â€Å"Anthill† is the set-up in Paths of Glory to the rest of the film. It establishes General Mireau as being the antagonist and Colonel Dax as the protagonist. It also is used as a way to show the reasons why the soldiers retreated from no man’s land, or even refused to leave the trenches. Itâ€℠¢s important that the viewer agrees with the soldiers decision to not follow orders by depicting the battle to be as unnatural and illogical as possible. Every part of the battle scene such as the characters, the cinematography, and the sound design is used to build up this perspective for the viewer. The battles in Kubrick films are always small in scope, they focus on the individuals rather than a military as a whole. This translates to how these scenes are shot with the camera following a certainShow MoreRelatedAnalysis Of Stanley Kubrick s The And The Post Strangelove Films4422 Words   |  18 Pagesaffirmatively counterpoint brutality also distinguishes the post-Strangelove films. As Sergei Eisenstein (an early theoretical influence on Kubrick) predicted, colour in serious cinema would become integral to meaning. 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